Category Archives: subscription concerts

Concert report – Die Schöpfung 4th December

For the final performance of its 2016 subscription series, the Sydney University Graduate Choir and orchestra, conducted by Music Director, Christopher Bowen, gave a Great Hall performance of Joseph Haydn’s Die Schöpfung (The Creation). Three outstanding soloists were engaged: Penelope … Continue reading

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Grads to perform The Creation by Joseph Haydn

After the high of singing Messiah with a massed choir in the Sydney Town Hall on 13 November, the Choir will be returning to its usual performance space, the Great Hall of the University of Sydney, to perform The Creation … Continue reading

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Saxon Baroque

The Choir’s August Great Hall concert for 2016 presented a program of two religious works from eighteenth century Germany: the Missa No.9 in D by the little-known Johann David Heinichen (1683-1729) and the Magnificat by the impressive but difficult to … Continue reading

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Colin Fox on von Suppé’s Requiem

A few weeks ago, we sent a copy of the recording of our May performance of von Suppé’s Requiem to the respected ABC Classic FM presenter, Colin Fox,. In 2012 Colin had warmly praised our performance of Mendelssohn’s Paulus, praise … Continue reading

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Franz von Suppé’s Requiem—‘Thus is the power of music’

The Grads 2016 concert season opened on Sunday 8th May with absolute éclat and elan, a promising introduction to an exciting season highlighting some little known, rarely-performed works. We believe that our performance of Franz von Suppé’s Requiem was an … Continue reading

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An exciting beginning to the year— Franz von Suppé’s Requiem

We’re just one month away from our first concert of 2016—it’s incredible to think that this year is almost one third of the way done! Our 2016 concert series encompasses a range of well-known masterworks as well as exciting discoveries, … Continue reading

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Handel’s ‘Israel in Egypt’ – 6 December 2015

The Choir successfully concluded a ground-breaking and musically satisfying year with its December Great Hall performance of Handel’s Israel in Egypt. Following our initial encounter with Dvořák’s choral music in May, and the logistical challenge of organizing the final of … Continue reading

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