Tag Archives: Anita Kyle

Time to Meet the Soloists!

We are delighted to introduce you to our four very talented soloists, who will take to the stage under the baton of music director Christopher Bowen OAM, in our upcoming all Beethoven Concert on Sunday 12th August 2018, at the … Continue reading

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Meet the Soloists for Mendelssohn’s Paulus

In preparation for the upcoming performance of Paulus, Mendelssohn’s rarely presented oratorio, at the Great Hall Sydney University on Sunday 10th December at 5pm, let’s meet the talented soloists who will be joining the Choir and Orchestra, under the baton … Continue reading

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Final 2017 Concert, Mendelssohn’s Oratorio Paulus, Sunday 10th December, 5pm

The Sydney University Graduate Choir is delighted to be performing Mendelssohn’s first oratorio, the rarely performed St. Paul – or Paulus, in the original German, in which it will be sung. A musical masterpiece, this work was one of the … Continue reading

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SYDNEY SINGS MESSIAH 2016

On 13 November, the Choir organised its seventh Sydney Sings concert, a massed choir performance of Handel’s Messiah in the Sydney Town Hall, under the title, ‘Sydney Sings Messiah’ with support from the City of Sydney  This was the fourth … Continue reading

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Handel’s Messiah – An Interview with Christopher Bowen

It’s easy to imagine performing Handel’s Messiah as a routine venture. After all, nearly all of the 450 choristers will have sung it before, most of them many times. The orchestral players are professional musicians with impeccable credentials – SSO, … Continue reading

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Saxon Baroque

The Choir’s August Great Hall concert for 2016 presented a program of two religious works from eighteenth century Germany: the Missa No.9 in D by the little-known Johann David Heinichen (1683-1729) and the Magnificat by the impressive but difficult to … Continue reading

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Handel’s ‘Israel in Egypt’ – 6 December 2015

The Choir successfully concluded a ground-breaking and musically satisfying year with its December Great Hall performance of Handel’s Israel in Egypt. Following our initial encounter with Dvořák’s choral music in May, and the logistical challenge of organizing the final of … Continue reading

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